BUSH

The new BUSH album, The Sea of Memories, is steeped in the notion that one has to know where they came from to know where they’re going. “We are the sum of everything we’ve done -- right, wrong and in-between,” says singer and guitarist Gavin Rossdale. “We’re all victims, and benefactors, of our past.” And BUSH should know. The British-born band has had more success over the course of their first half-dozen years than most artists do in a lifetime. From Sixteen Stone to The Science of Things, they made some of the most successful rock albums in recent memory. The seminal outfit also forged a sound that would come to characterize an entire decade.

Today, Rossdale is mining the past for clues to the future, and has come up with an album that reflects both sides of that time quotient. On The Sea of Memories, he’s resurrected the band with drummer Robin Goodridge, guitarist Chris Traynor and bassist Corey Britz. “When making music, you have a choice to repeat what you’ve done or move on,” says Rossdale. “It would’ve been safe to just rework [1994’s debut album] Sixteen Stone over and over, but what kind of life would that be? When you’re driving down the road, you’re focused on what’s in front of you; you don’t really think to keep checking in your rear view mirror. I like the idea of art changing, developing and morphing.”

The Sea of Memories is drenched in BUSH’s trademark intensity and driven by Rossdale’s emotive, bittersweet vocals, but it’s also infused with an immediacy that pushes the album into new, compelling directions. From their lead single, the atmospheric powerhouse “The Sound of Winter,” to the rapid-fire exuberance of “All My Life,” BUSH reveals itself as a re-energized band. It’s a fresh mindset that’s at least partially influenced by events surrounding the making of this record.

The Sea of Memories has a foot in BUSH’s past and its future: a balance the band was determined to strike if they were to connect with loyal fans and reach new listeners. “I was a fan of BUSH, so I wanted to do the music justice,” says Corey Britz, the newest member, though no stranger to the camp, as he’s played with Rossdale on various projects over the past few years. “BUSH has always had a particular feel, and I hope to get as close to the mark as possible. I’m proud, nervous, and excited to be a part of a band that I have been a fan of for so many years.”

Guitarist Chris Traynor has played with BUSH since the Golden State tour. He was also part of Rossdale’s ensuing band, Institute, and on the singer’s more recent solo projects. “I think every BUSH record has been sonically and stylistically different from the last,” says Traynor. “The engine that drives the band, and makes it BUSH, is Gavin's songwriting and singing. The ever-expanding vocabulary and musical territory of the band has to do with his overall vision as an artist. I really respect the fact that Gavin is driven to push forward and progress musically.”

The freedom Rossdale has found musically on The Sea of Memories also translates into his lyrics. Throughout the record, he offers up poetic, colorful and often ironic narratives on day-to-day living—sometimes biographical, sometimes not. “I think the record has that balance of living: the struggle, romance, loss, desire, aspirations,” says Rossdale. “Like the song ‘All Night Doctors,’ I enjoyed writing a dialogue, showing a snapshot of someone else’s life. For most people, happiness revolves around what they’ve achieved. But success is really about how they reconcile their aspirations with where they actually land in life. That balance has always intrigued me. I’ve found that depression, stress and worry is almost always rooted in the past and the future. But there’s a lot of riches to be found in the moment.”